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She’s quick to point out that she doesn’t fetishize the pre-World War II era. She’s enamored with postwar masters such as Betty Carter, Shirley Horn and Abbey Lincoln. “But before the war, there was this excitement, this punk feeling I really love,” she says. “Jazz in the 1920s and ’30s was dance music, teenage music for parties, for being wild and young. It was something so radical and different and new and not codified. People didn’t have a definition of what they were doing.”.

Born in Miami to a Haitian father and French mother, Salvant spent her teenage years immersed in European classical music, At the same time, her mother turned her on to the luxuriant sound of Sarah Vaughan and the knotty, ingenious compositions of Thelonious Monk, though Salvant didn’t think of herself as a jazz fan, “I always loved Sarah Vaughan, not because of jazz, but because of the richness of her sound,” Salvant says, “Actually, Monk was one of the musicians I connected with the most early on, balera ballet shoes sizing chart A lot of people think Monk could seem inaccessible, But not knowing any jazz, he spoke to me the most, I listened to nothing but that before I started singing jazz.”..

She was in France studying law and classical voice at the Darius Milhaud Conservatory in Aix-en-Provence when a professor turned her on to jazz and improvisation. Urged on by her mom, she signed up for a class; before long, music supplanted her legal studies. Within a year, she had released an album of standards, “Cecile and the Jean-François Bonnel Paris Quintet.”. After winning the 2010 Monk contest in Washington, D.C., with an aching rendition of “I Wonder Where Our Love Has Gone,” Salvant made a crucial connection with pianist Aaron Diehl. A prodigy who toured with the Wynton Marsalis Septet straight out of high school, he graduated from Juilliard in 2007. Versed in ragtime, Jelly Roll Morton and Harlem stride as well as bebop and postwar idioms, Diehl has proved to be an ideal creative foil for Salvant on stage and in the recording studio.

No piece better captures their unusual synergy than the rollicking arrangement of the 19th-century folk anthem “John Henry.” Inspired by a Big Bill Broonzy recording that captured the country blues legend alone with his balera ballet shoes sizing chart guitar, they massaged the piece for months before figuring out how to capture his coiled energy, “It’s difficult to get that folk, rural blues aspect in a trio,” Salvant says, “What are the drummer and bass player going to do? How does the piano fit into that sound? We’d try some things out and then say no, this is terrible, Aaron is really a perfectionist, I like it to be a group effort, where everybody brings their own voice and background makes it something very unique and of the band, We start with the seed of an idea.”..

It was definitely a celebratory crowd, and even Hispanic Foundation of Silicon Valley CEO Ron Gonzales joked about the persistent buzz throughout the program. “The two biggest challenges for this event is getting this crowd of friends to be quiet,” he said. The foundation presented the Guzmán family of Redwood City with its La Familia Award, the first time a San Mateo County family has been so honored. And a big contingent from the Peninsula helped fill the ballroom, including Redwood City Mayor Jeffrey Gee and East Palo Alto Mayor Laura Martinez. Several members of the family, led by parents Gilberto Guzmán Sr. and Cunda Guzmán, crowded onto the stage to accept the award.

Two new honors were introduced at the silver anniversary dinner: The Pioneros Award to PG&E for its support of the Hispanic Foundation, and the Visionario Award, presented to the Morgan Family Foundation for its support of the Latino Board Leadership Academy, which recruits and trains Latinos to serve on nonprofit boards, Former Applied Materials CEO Jim Morgan and former state Sen, Becky Morgan, who lead their family foundation, were on hand to accept the award, Before everyone took over the dance floor, Gonzales shared that Coca-Cola balera ballet shoes sizing chart had come through with a $50,000 grant to continue its support of the foundation’s Parent Education Academy, which launched last year, “I got the call at 3 p.m, on Halloween, and I have to admit I was thinking, ‘Is this going to be a trick or a treat?’ ” he said, “I’m glad it was a treat.”..

These days, hip-hop dance has secured a spot on the proscenium, and no one has done more to elevate the art form than Micaya, the founder and director of the San Francisco International Hip Hop DanceFest. Rather than luring dancers with a high-stakes contest, she took curatorial responsibility for presenting a stylistically diverse and increasingly international array of companies while shining a spotlight on the Bay Area’s rapidly evolving scene. Marking its 16th season, the festival returns to the Palace of Fine Arts Theatre on Nov. 14-16 with two different programs encompassing 17 disparate companies.

“I just thought that presenting hip-hop in a theatrical setting would be so crazy cool,” says Micaya, who goes by the one name, “The audience would sit down like in the ballet, and the dancers would have actual dressing rooms, not some closets in the back of a club, Maybe we’d even get reviewed by the press.”, A beloved Mission district dance teacher and choreographer, Micaya had earned tremendous respect in the dance community by balera ballet shoes sizing chart producing an annual showcase for local performers before she launched the San Francisco International Hip Hop DanceFest in 1999, (She still presents the local showcase, Mission in the Mix, every June.)..

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