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The day will finish up with classic rock band Delta Road featuring hit tunes from the ’60s, ’70s, ’80s and beyond, Coelho said. “We will have several free activities for children and their families,” Coelho said. The activities will include a children’s area with a jump house, giant slide and obstacle course. Face painting and a craft table will also be available for children and adults. Guests can peruse the more than 50 vendors that will be on hand to sell their wares and market their businesses.

The name is taken from the most memorable lyric in “Sh-Boom,” a 1954 top 10 hit for both The Chords and The Crew-Cuts, and the show is packed with other period hits, including “Earth Angel,” “Runaround Sue,” “Unchained Melody” and “Duke of Earl.”, Writer-director Roger Bean specializes in exactly this kind of jukebox musical — a fictional story built around the popular music of a particular era, He’s best known for the ubiquitous girl-group celebration “The Marvelous Wonderettes” and its holiday-themed sequel, “Winter Wonderettes,” both of which are in regular rotation in theaters around the Bay Area, But Bean has cranked out many such popsicals, including “Route 66,” “Summer of Love,” “Honky Tonk Laundry,” “Why ballet flats target girls Do Fools Fall in Love?” and “The Andrews Brothers.”..

“Life Could Be a Dream,” which premiered in 2009 and has been retooled for a possible off-Broadway run (with co-producer Jonathan Reinis, a Tony winner for Broadway’s “Pippin” revival), is, in fact, a sort of spinoff of 1999’s “Marvelous Wonderettes.” The fictional band at the heart of “Dream,” Denny and the Dreamers, is made up of former members of a high school vocal group referenced in the earlier show. Basically, we’ve already met the girl group, so now it’s time to meet the boys.

The cast features a number of familiar faces from past Center Rep musicals: Ryan Drummond ballet flats target girls (“She Loves Me”), Tim Homsley (“Xanadu” and “Spring Awakening”) and Sharon Rietkerk (“Xanadu” and “Rumors”), Co-star Jerry Lee has been seen just down the hall at Walnut Creek’s Dean Lesher Regional Center for the Arts in Contra Costa Musical Theatre’s “Les Miserables” and Diablo Theatre Company’s “Shrek.”..

And reality TV fans may recognize the fourth dreamer, Derek Keeling, as the third-place finisher of “Grease: You’re the One That I Want,” NBC’s audience-voted competition to cast the Broadway revival of “Grease.” (He eventually played the male lead late in the run.). The plot is negligible: It’s 1963 in “Springfield, USA,” and a local radio station is sponsoring a band competition with a recording contract as the price. Denny, a socially awkward layabout who lives in his mother’s basement (a nicely kitsch-cluttered set by Michael Carnahan), is sure he’s going to win with the help of his even more geeky friends. Drummond is an entertainingly cocky and curmudgeonly Denny, nicely matched with Homsley’s amusingly nervous-nebbish Eugene and Lee’s sweetly goofy Wally.

They decide they need a sponsor, We never see the auto shop owner backing the group, but representing him are handsome mechanic Skip Henderson, “a grease monkey from the wrong side of the tracks,” and the boss’s beautiful daughter, Lois, Of course all the guys go gaga for Rietkerk’s sunny Lois, immaculately styled in fetching period outfits by costumer Bobby Pearce, But she only has eyes for the coolly subdued Skip and insists he join up ballet flats target girls as the group’s missing ingredient..

Performed at times as much for comedy as melodiousness, the vocals are strong, especially in the harmonies (music directed by Brandon Adams). Everyone’s given a chance to shine a little, although the live music from a five-piece band — playiong offstage — occasionally got muffled. Lee Martino’s choreography captures the cute little synchronized dance moves typical of early ’60s singing groups. Keeling’s Skip is understated, and he doesn’t particularly stand out vocally, so it’s hard to buy the premise that the group would be lost without him. In fact the stakes feel pretty low throughout, for both the competition and the romance. After all, almost all of the play is band practice in a basement. It’s lightweight entertainment, but it gets the job done, assuming the job is to deliver the hits of yesteryear in an appealing and amusing package. That’s what a Roger Bean show is all about.

The Berkeley playwright famed for his explorations of Asian-American history and identity — from the Japantown drama “After the War” to “The Wind Cries Mary” (an Asian twist ballet flats target girls on “Hedda Gabler”) — is now a tenured professor at UC Berkeley’s department of theater, dance and performance studies, a program that has employed such distinguished artists as Spalding Gray and Tony Taccone in the past, A groundbreaker who dealt with Asian-American themes on stage long before it was fashionable to do so, he hasn’t put away his artist shingle, however, The 64-year-old continues to write plays and to make independent films, but these days he spends most of his time nurturing the next generation of artists and scholars, That desire to shape the future and connect it with the bones of the past has long been a hallmark of his career..



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